© Serpentine Galleries 2018 — London
Episode 2: James Bridle and Charlie Fox
The Serpentine Galleries’ GUEST, GHOST, HOST: MACHINE! Podcasts are hosted by Legacy Russell and Victoria Sin and were recorded after the Galleries’ annual Marathon, 2017, which took place at City Hall, London on 7 October 2017.
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He has collaborated with Björk, Olafur Eliasson, Jennifer Walshe, Haim Steinbach, and Pharrell Williams. He is the author of Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), eight other books and 200 essays on philosophy, ecology, literature, music, art, architecture, design and food. In 2014 Morton gave the Wellek Lectures in Theory.
Victoria Sin is a London based artist concerned with the experience of the physical within the social body. Their work explores desire, identification and objectification within systems of looking and reification of ideal images within technologies of representation. They work across performance, moving image, writing, installation, and print, and use drag as a tool to challenge expectations and attitudes on femme identities and how images and iconography of femininity are produced, inscribed, and performed.
Their long term project, Dream Babes, explores speculative fiction as a productive strategy of queer resistance, invading existing narratives around naturalised states of sex, gender and race, imaging futurity that does not depend on existing historical and social infrastructure.
Legacy Russell is a writer, artist, and cultural producer. Born and raised in New York City’s East Village she is the UK Gallery Relations Lead for the online platform Artsy. Her work can be found in a variety of publications worldwide: BOMB, The White Review, Rhizome, DIS, The Society Pages, Guernica, Berfroisand beyond. Holding an MRes of Visual Culture with Distinction at Goldsmiths College of the University of London, her academic and creative work focuses on gender, performance, digital selfdom, idolatry, and new media ritual. Her first book Glitch Feminism will be published by Verso. Twitter: @legacyrussell | Instagram @ellerustle. www.legacyrussell.com.