In partnership with the Serpentine's Work Marathon, we present a new series of podcasts 'On Work', where hosts Victoria Sin and Lucia Pietroiusti discuss themes around work, labour, automation and leisure.
Victoria Sin is a London based artist concerned with the experience of the physical within the social body. Their work explores desire, identification and objectification within systems of looking and reification of ideal images within technologies of representation. They work across performance, moving image, writing, installation, and print, and use drag as a tool to challenge expectations and attitudes on femme identities and how images and iconography of femininity are produced, inscribed, and performed.
Their long term project, Dream Babes, explores speculative fiction as a productive strategy of queer resistance, invading existing narratives around naturalised states of sex, gender and race, imaging futurity that does not depend on existing historical and social infrastructure.
Lucia Pietroiusti is Curator of General Ecology at the Serpentine Galleries (London), currently working on posthumanism, ecology, organisation and complex systems. She is the curator (with Filipa Ramos) of the durational symposium on interspecies consciousness, 'The Shape of a Circle in the Mind of a Fish' (2018-19). Since 2013, she has programmed and produced research projects, artist commissions and performances, as well as film and collaborative partnerships. Pietroiusti was the co-curator of the 2018 (Work), 2016 (Miracle), 2015 (Transformation) and 2014 (Extinction) editions of the Serpentine’s yearly Marathon festival of art, science and technology and the co-curator (with Kay Watson) of The Serpentine Podcast: On Work (2018). Pietroiusti will be the curator of the 2019 Lithuanian Pavilion at the Venice Biennale, featuring a new performance work, 'Sun & Sea (Marina)' addressing consciousness, the everyday and anthropogenic climate change, by Rugile Barzdziukaite, Vaiva Grainyte and Lina Lapelyte.
Daniel Ross obtained his PhD from Monash University in 2002 with a thesis on Martin Heidegger. He co-directed the film The Ister, which premiered at the 2004 Rotterdam International Film Festival, and won awards in Marseille and Montreal. In 2004, he published the book Violent Democracy, and has translated nine books by Bernard Stiegler into English, most recently The Neganthropocene (2018), as well as his own work on Stiegler.
Lynette Yiadom-Boakye’s (born 1977, London) oil paintings depict figures that appear to exist outside of a specific time and place. There are very few references to background, history, activity and place of the individuals and groups of figures in her paintings. This ambiguity, which also resonates in the enigmatic titles given to each work, invites the viewer to consider the subjects as suggestions rather than explicit narratives or specific portraits. At the heart of Yiadom-Boakye’s work is an exploration of the mechanics of painting where she reconstructs the meaning that contemporary painting could hold, in all its unexpected beauty and idiosyncratic details. Yiadom-Boakye’s exhibition at the Serpentine Gallery was a survey of recent work presenting a comprehensive range of painterly techniques, representing the artist’s key series of works. Throughout her work, Yiadom-Boakye has raised timeless questions of identity and representation in art, bringing awareness to such matters and the shortcomings of art history.
Jon Gray is the co-founder of Ghetto Gastro. Based in the Bronx, Ghetto Gastro is a culinary collective and cultural movement that operates at the intersection of food, design and community empowerment through transformative experiences, narrative-driven content, and other tactical techniques.
Beatriz Colomina is Professor of Architecture and Founding Director of the Media and Modernity programme at Princeton University. She has written extensively on questions of architecture, art, sexuality and media. Her books include Are We Human? Notes on an Archeology of Design (2016), The Century of the Bed (2015), Manifesto Architecture: The Ghost of Mies (2014), Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X (2010), Domesticity at War (2007), Privacy and Publicity: Modern Architecture as Mass Media (1994), and Sexuality and Space (1992). She has curated a number of exhibitions including Clip/Stamp/Fold (2006), Playboy Architecture (2012) and Radical Pedagogies (2014). In 2016, she co-curated the third Istanbul Design Biennial with Mark Wigley. Her book X-Ray Architecture is forthcoming in Autumn 2018.