In partnership with the Serpentine's Work Marathon, we present a new series of podcasts 'On Work', where hosts Victoria Sin and Lucia Pietroiusti discuss themes around work, labour, automation and leisure.
Stella Creasy is the Labour MP for Walthamstow who won the ‘Backbencher of the Year’ award at the Spectator Parliamentarian of the Year awards, 2017. She is often praised as one of Westminster’s most effective operators, successfully campaigning for a new £10 banknote featuring Jane Austen, against payday loan companies, and for a change to Northern Ireland’s abortion laws.
Jack Self is an architect and author of Real Estates: Life Without Debt. He is Director of the REAL foundation, Editor-in-Chief of the Real Review and was Contributing Editor for Architectural Review. His architectural design focuses on alternative models of ownership, contemporary forms of labour, and the formation of socio-economic power relationships in space.
Nick Srnicek is a Lecturer in Digital Economy at King's College London, and author of Inventing the Future: Postcapitalism and a World Without Work, and Platform Capitalism. He is an advocate for a universal basic income, collectively controlled automation, and a reduction in the working week.
Rana Dasgupta is a British novelist and essayist. Born in Canterbury in 1971, he studied at Balliol College, Oxford and the University of Wisconsin-Madison. His first novel, Tokyo Cancelled, appeared in 2005. Solo (2009) won the Commonwealth Writers’ Prize. In 2014 he published Capital, a non-fiction account of the huge changes engulfing the Delhi as a result of globalization. Capital won the Ryszard Kapuscinski Award and the Prix Emile Guimet. He is currently writing After Nations, a book about the future of global political organisation.
Pedro Reyes (Mexico City, 1972) studied architecture but considers himself a sculptor, although his works integrate elements of theater, psychology and activism. His work takes on a great variety of forms, from penetrable sculptures (Capulas, 2002-08) to puppet productions (Baby Marx, 2008), (The Permanent Revolution, 2014). In 2008, Reyes initiated the ongoing Palas por Pistolas where 1,527 guns were collected in Mexico through a voluntary donation campaign to produce the same number of shovels to plant 1,527 trees. This led to Disarm (2012), where 6,700 destroyed weapons were transformed into a series of musical instruments. In 2011, Reyes initiated Sanatorium, a transient clinic that provides short unexpected treatments mixing art and psychology. Originally commissioned by the Guggenheim Museum in New York City, Sanatorium has been in operation at Documenta 13, Kassel (2012), Whitechapel Gallery, London (2013), The Power Plant, Toronto (2014), the Institute of Contemporary Art (ICA) Miami (2014-2015), and OCA, Sao Paulo (2015). In 2013, he presented the first edition of pUN: The People’s United Nations at Queens Museum in New York City. pUN is an experimental conference in which regular citizens act as delegates for each of the countries in the UN and seek to apply techniques and resources from social psychology, theater, art, and conflict resolution to geopolitics. pUN’s second edition took place at the Hammer Museum in Los Angeles (2015). The third General Assembly of pUN took place in December 2015 at the Museum of the 21st century in Kanazawa, Japan. In 2015, he received the U.S. State Department Medal for the Arts and the Ford Foundation Fellowship. In late 2016, he presented Doomocracy, an immersive theatre installation commissioned by Creative Time, at the Brooklyn Army Terminal, NY. He held a visiting scholar position at Massachussets Institute of Technology’s ACT for the fall of 2016, and he is currently conducting his residency at MIT’s CAST as the inaugural Dasha Zhukova Distinguished Visitng Artist. Reyes lives and works in Mexico City.
Victoria Sin is a London based artist concerned with the experience of the physical within the social body. Their work explores desire, identification and objectification within systems of looking and reification of ideal images within technologies of representation. They work across performance, moving image, writing, installation, and print, and use drag as a tool to challenge expectations and attitudes on femme identities and how images and iconography of femininity are produced, inscribed, and performed.
Their long term project, Dream Babes, explores speculative fiction as a productive strategy of queer resistance, invading existing narratives around naturalised states of sex, gender and race, imaging futurity that does not depend on existing historical and social infrastructure.
Lucia Pietroiusti is Curator of General Ecology at the Serpentine Galleries (London), currently working on posthumanism, ecology, consciousness across species, and botany. She is the curator (with Filipa Ramos) of the durational festival on interspecies consciousness, 'The Shape of a Circle in the Mind of a Fish' (2018-19) as well as the research, publication and performance project, PLANTSEX, on erotics and botany. Since 2013, she has programmed and produced research projects, artist commissions and performances, as well as film and collaborative partnerships. Pietroiusti was the co-curator of the 2018 (Work), 2016 (Miracle), 2015 (Transformation) and 2014 (Extinction) editions of the Serpentine’s yearly Marathon festival of art, science and technology and the co-curator (with Kay Watson) of The Serpentine Podcast: On Work (2018). Pietroiusti is the curator of the 2019 Lithuanian Pavilion at the Venice Biennale, featuring a new performance work, 'Sun & Sea (Marina)' addressing consciousness, the everyday and anthropogenic climate change, by Rugile Barzdziukaite, Vaiva Grainyte and Lina Lapelyte.