In the latest series from the Serpentine Podcast, host Victoria Sin discusses themes from the Serpentine General Ecology project, including complex systems, interspecies landscapes and the environment
Lucia Pietroiusti is Curator of General Ecology at the Serpentine Galleries (London) as well as the Curator of Sun & Sea (Marina) by Rugile Barzdziukaite, Vaiva Grainyte and Lina Lapelyte, the Lithuanian Pavilion at the 58th Venice Biennale, 2019, awarded the Golden Lion for Best National Participation. She is the curator (with Filipa Ramos) of the durational festival on interspecies consciousness, The Shape of a Circle in the Mind of a Fish (2018-19) as well as the research, publication and performance project, PLANTSEX, on erotics and botany. Since 2013, she has programmed and produced research projects, artist commissions and performances, as well as film and collaborative partnerships, at the Serpentine Galleries. Pietroiusti was the co-curator of the 2018 (Work), 2016 (Miracle), 2015 (Transformation) and 2014 (Extinction) editions of the Serpentine’s yearly Marathon festival of art, science and technology; and the co-curator (with Kay Watson) and co-presenter (with Victoria Sin) of The Serpentine Podcast. Previously, Pietroiusti has been Assistant Curator at the Irish Museum of Modern Art (2007-2009) and Associate Editor of the journal of the arts and letters, Boulevard Magenta (2008-2010). Pietroiusti is currently researching more-than-humanism, ecology, interspecies consciousness, species extinction, plant intelligence, botany and myth.
Victoria Sin is a London based artist concerned with the experience of the physical within the social body. Their work explores desire, identification and objectification within systems of looking and reification of ideal images within technologies of representation. They work across performance, moving image, writing, installation, and print, and use drag as a tool to challenge expectations and attitudes on femme identities and how images and iconography of femininity are produced, inscribed, and performed.
Their long term project, Dream Babes, explores speculative fiction as a productive strategy of queer resistance, invading existing narratives around naturalised states of sex, gender and race, imaging futurity that does not depend on existing historical and social infrastructure.
Jenna Sutela's installations, text and sound performances seek to identify and react to precarious social and material moments, often in relation to technology. Most recently, she has been exploring exceedingly complex biological and computational systems, ultimately unknowable and in a constant state of becoming. Sutela has exhibited her work at Haus der Kulturen der Welt in Berlin, The Institute of Contemporary Arts London, and The Museum of Contemporary Art Tokyo, among others.